‘Mark Wenner’s Blues Warriors’ album battle tested
Blues Warriors? It sure seems that Nighthawks leader and blues harp hurricane, Mark Wenner, and the four equally talented ringers he’s assembled here don’t have to engage in battle at all to keep the real deal alive. These men sweat soul and bleed the blues naturally throughout the dozen dazzlers on this self-titled debut, Wenner’s fifth solo album outside the venerated Washington, D.C. institution that he’s led since 1972.
Just seconds into their dashing version of Muddy Waters’ “Diamonds at Your Feet,” it’s abundantly clear that these players are here to play. Mark Stutso drums with the Nighthawks, and used to with original ‘Hawks guitarist Jimmy Thackery, so that’s that. Stutso drives the rapid rhythm like a man happily lost inside of it. He even wrings powerful nuance from his lead vocal on a delectable version of B.B. King’s classic, “It’s My Own Fault.”
Upright bassist Steve Wolf, well-regarded in jazz and blues circles around D.C., swings with uncommon finesse. When the mood calls for it, such as in “Just To Be With You,” he also thumps the low end with the steady pulse of a faithful heart. Cut most famously by Muddy Waters, that song also features an absolute force of blues nature.
Calling oneself “The Blues Man” had better be backed up with the goods. Singer-guitarist Clarence Turner not only lives up to the moniker, but does so in both departments with grit, gravy and real blues awareness to spare. The rhythmic excitement never wavers when listening to his commanding performances, and his booming voice offers excellent counterpoint to Wenner’s reedier rasp.
Wenner takes the lead on the Chicago blues shuffle “Checkin’ On My Baby,” but is just as effective rocking and rolling through Slim Harpo’s energetic and immortal “King Bee.” Of course, Wenner also blows melodic flare-ups on his harmonica, in evidence everywhere on the album, but especially as he leads the band through an impromptu take on Sonny Boy Williamson I’s “Trust My Baby.” The man of the hour stands confidently next to any of his heroes, or his contemporaries such as Kim Wilson, by virtue of his chops and feel.
Turner and young gun Zach Sweeney both play enough sweet blues guitar during the program to satisfy the most discriminating fans of the instrument. Cut this past February, mixed in March, mastered in April, and now let loose in live room punchy fidelity like the best of them, Mark Wenner’s Blues Warriors should charge to the top of all the “best of the blues in 2018” lists.
— Tom Clarke
‘Mark Wenner’s Blues Warriors’Label: EllerSoul
Release: June 15, 2018
ABOUT Tom Clarke
From pre-war blues to the bluegrass of the Virginia hills, Tom Clarke has a passion for most any kind of deep-rooted American music, and has been writing about it for 23 years. He’s particularly fond of anything from Louisiana, and the 45-year timelines and ever-growing family trees of The Allman Brothers Band and Los Lobos.
Tom’s reviews and articles have appeared in BluesPrint, the King Biscuit Times, Hittin’ The Note, Blues Revue, Elmore, Blues Music Magazine, and now, Tahoe Onstage.
Tom and his wife Karen raised four daughters in upstate New York. They split their time between the Adirondack Mountains and coastal South Carolina.
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