IBC lights up Beale Street with blues

Tahoe Onstage
Aayan Naim of the Good, the Bad and the Blues during the IBC Finals in Memphis. Tahoe Onstage photo by Tim Parsons

MEMPHIS — “Hi, I’m Little Steve-O and I am here with Bongo Joe. We’re checking in.”

The introduction would sound strange at most registration tables, but not this week in Memphis. Around here, Coyote Bill, Blue Jay Slim, Honey B aren’t critters. They are people. Blues people.

More than 250 contestants in band and solo/duo categories represented blues societies from all across the globe at the Blues Foundation’s 31st International Blues Challenge. Each had aspirations of making it to the finals in which the top eight in each category performed in the cavernous and regal Orpheum Theatre up the hill on Beale Street.

“You can’t play the blues, you have to be the blues,” said Aayan Naim, the bandleader of The Good, The Bad and the Blues, explaining on Saturday why his group made it to the storied venue for the IBC Finals. “It’s more than licks and tricks. It’s emotion. It took me a long time to get to that place. I learned to slow down and let people enjoy it.”

Hurricane Ruth blows away the Purple Haze during the Blind Raccoon showcase. Tim Parsons / Tahoe Onstage
Hurricane Ruth blows away the Purple Haze during the Blind Raccoon showcase. Tim Parsons / Tahoe Onstage

Indeed, the blues is an emotion, a mind-set and lifestyle as much as it is a musical genre. The most common songwriting formula is two verses and a well-delivered punch line. Hurricane Ruth even uses the technique when she talks between songs.

“People always ask, ‘Was I angry when I wrote that song? Did you have some bad relationships? I think so.”

More than a dozen Beale Street clubs were filled with talent during the two nights of quarterfinals and one for the semis. There was pressure and drama. If there were technical issues, musicians had to work through it and trust the judges. Networking, however, is as important at the IBC as advancement in the competition.

“Everybody in the business is here,” said Calgary’s Tim Williams, who competed in the solo/duo category even though he won the whole thing in 2014. “If you come here with a business mind-set, not for the beer, barbecue and women — not that there’s anything wrong with that –there is great opportunity.”

Erik “Fingers” Ray, the Boston solo/duo entrant, sang the blues about being paired in the same venue as the silver-throated Williams two years in a row. Regardless, the charismatic Ray had a superb performance and wonderful crowd reaction in the Pig on Beale.

“We did well but the next three were better than both of us,” Ray laughed afterward. “It’s a tough room.”

“It’s like being in the Olympics,” said Joric Maylanque, whose stage name is Delta Slim, and not the Delta blues fans know best. Maylanque was one of the four entrants from the Philippines. “In the Philippines there is a very passionate blues community,” he said. “It’s a dream come true (to be here). This is the world stage for blues.”

Erik "Fingers" Ray down a blues alley behind the New Daisy Theater in Memphis. Tim Parsons / Tahoe Onstage
Erik “Fingers” Ray down a blues alley behind the New Daisy Theater in Memphis.
Tim Parsons / Tahoe Onstage

For blues society fans, the only pressure is deciding who to go see and then trying to find a place in which to sit.

“We are all here for the love of music, said Katie Willison of the Topeka Blues Society, who attended the IBC for the seventh time. “After a while it becomes more of a reunion than a challenge.”

The happiest supporters were from the Dayton Blues Society, which had finalists in both categories: Brian Keith Wallen in the solo/duo and Noah Wotherspoon, band.

After a set with crescendo as high as the Orpheum’s fifth tier, Wotherspoon caught his breath outside and explained why his town digs blues.

“If you take a map and draw a straight line from Clarksdale to Detroit, it goes through Dayton,” he said. “We’re trying to carry the tradition on the best we can.”

It was the second time in the finals for both Wotherspoon, voted best guitarist, and Wallen, who finished runner-up.

“The judges’ comments were really helpful,” Wallen said. “This year I tried to pick traditional songs but different enough to capture everyone’s attention.”
Wallen said his approach to playing before more than 2,000 in the Orpheum was the same as it is for 50 in a restaurant.

“You just have to come out with a whole lot of energy and, it sounds corny but, put a whole lot of heart into it,” he said.

Ben Rice and Lucy Hammond shine onstage in the Orpheum. Tim Parsons / Tahoe Onstage
Ben Rice and Lucy Hammond shine onstage in the Orpheum.
Tim Parsons / Tahoe Onstage

Lucy Hammond, a solo/duo finalist with Ben Rice, had a similar, if not more confident, attitude.

“I killed it, didn’t I, baby?” she said, relaxing in a couch in the Orpheum lobby. “When you do this since you are a little kid, it’s not scary. Ben’s first festival was when he was in fifth grade. I’ve been preparing for this my whole life.”

Other artists were more subdued. Terrie Odabi of the Golden Gate Blues Society, who reached the semifinals, was asked if the trip was worth it.

“I’ll know by spring,” she said. “Some of the contacts really take time to take off.”

Brian Keith Wahlen and his blues hardware. Tim Parsons / Tahoe Onstage
Brian Keith Wallen and his blues hardware.
Tim Parsons / Tahoe Onstage

Randy McQuay said he spent $5,000 for his two times to the IBC. He said his goal was to reach Friday’s semis. But on Saturday, he performed in the great room.

“Everybody wants to see the theater from the stage point of view,” he said.

When McQuay was awarded first place, he made a speech, kissed the stage, then walked out from the view of the audience and broke down in tears.

It was all smiles for first-year entrant Eddie Cotton, which won the band category for the Vicksburg Blues Society for the third time since 2010.

Cotton, the band leader, relied on his blues instincts to prevail in the ornate venue.

“I am used to making eye contact,” he said. “Even though I couldn’t see them, I could feel them.”

Randy McQuay
Randy McQuay is the 2015 solo/duo winner of the International Blues Challenge. Tim Parsons / Tahoe Onstage
Tahoe Onstage
Bongo Joe and Little Steve-O checked in at the New Daisy and finished at the Orpheum.
Tim Parsons / Tahoe Onstage
The Brat Pack has a high-energy performance. Tim Parsons/ Tahoe Onstage
The Brat Pack has a high-energy performance.
Tim Parsons/ Tahoe Onstage
Eddie Cotton won it all for the Vicksburg Blues Society. Tim Parsons/ Tahoe Onstage
Eddie Cotton won it all for the Vicksburg Blues Society.
Tim Parsons/ Tahoe Onstage

ABOUT Tim Parsons

Tim Parsons
Tim Parsons is the editor of Tahoe Onstage who first moved to Lake Tahoe in 1992. Before starting Tahoe Onstage in 2013, he worked for 29 years at newspapers, including the Tahoe Daily Tribune, Eureka Times-Standard and Contra Costa Times. He was the recipient of the 2011 Keeping the Blues Alive award for Journalism.

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